Radha D'Souza and Jonas Staal

Court for Intergenerational Climate Crimes: The British East India Company on Trial

When

31 October - 31 January 2026

Location

Blenheim Walk Gallery

Visiting hours

10:00am-6:00pm Monday to Friday / 10:00am-4:00pm Saturday

Exhibition Preview and Evidentiary Hearing: 30 October 2025 5:00pm-7:30pm

The inauguration of the exhibition will take the form of an evidentiary hearing during which D’Souza will introduce the legal framework of the CICC and the case against the British East India Company, and be questioned by legal scholars, historians and activists. The public is invited to participate as members of the jury and vote on the materials presented. Curator Lucia Pietroiusti will act as Clerk of service and oversee procedural matters.

The evidentiary hearing will begin at 5pm. If you would like to visit the exhibition, please arrive beforehand. The hearing is free to attend, but booking is required. As audiences act as a public jury for the evidentiary hearing, attending a hearing commits you to stay for the full session.

Location: Blenheim Walk Auditorium, Leeds Arts University, Blenheim Walk, Leeds LS2 9AQ

Click here to book your place for the exhibition preview and evidentiary hearing

The Court for Intergenerational Climate Crimes (CICC) is a tribunal that prosecutes climate crimes by states and corporations. In the latest iteration of the CICC, the case against the British East India Company (EIC), demonstrates how the legal, economic, and ideological systems established by the EIC remain alive and active today. It affirms the claim that climate crimes are in fact colonial crimes. The CICC is now touring the evidence, with its latest presentation taking place at Blenheim Walk Gallery, Leeds Arts University.

The CICC is a project by Radha D’Souza and Jonas Staal founded in 2021 that stages public hearings in immersive installations functioning as a court, to prosecute intergenerational climate crimes committed by states and corporations acting concertedly. These hearings address crimes of the past, present and future, reflecting the intergenerational impacts of climate crimes and the continued colonisation of ecologies and communities.

Following public hearings organised against Unilever, ING Group, Airbus and the Dutch State (Framer Framed, Amsterdam, 2021) and against Hanwha Group, Doosan, POSCO Group and the Republic of Korea (Gwangju Art Museum, 2023), the latest chapter of the CICC, commissioned by Serpentine Galleries, took the form of a specially appointed court in London. There witnesses were interrogated regarding the crimes committed by the British East India Company (founded in 1600), highlighting the enduring interconnectedness of colonial and climate crimes that continue to shape our devastating present and future.

Non-human agents — in this case, plants that played a pivotal role in the colonial and industrial projects of the British Crown and the East India Company — served as both evidence and witnesses in the trial. The audience present was tasked with acting as public jury members. In Leeds, these key non-human witnesses gather in a monumental installation of lightboxes, combined with a new video work that compiles key testimony from the trial against the British East India Company.

During the inaugural opening event, D’Souza will introduce the legal framework of the CICC and the case against the British East India Company, and be questioned by legal scholars, historians and activists. The public is invited to participate as members of the jury and vote on the materials presented.

Putting the British East India Company on trial, 425 years after its founding and 168 years after its dissolution in 1857, expands notions of intergenerational justice. It raises questions about reparations for crimes that transcend generations and examines how dissolved entities, like the EIC, endure as legal, institutional, and ideological frameworks for extractive capitalism and imperialism, perpetuating ecological collapse.

Project credits

'Court for Intergenerational Climate Crimes (CICC): The British East India Company on Trial'

A project by Radha D’Souza and Jonas Staal

With contributions by Mostafa Henaway, Sudipto Mitra, Ghulam Nadri, Ruth Nyambura, Leonida Odongo, Hashim bin Rashid, Andy Rowell, Swati Srivastava, James Vaughn, Sharon H. Venne and RamĂłn Vera-Herrera

Commissioned and produced by Serpentine Ecologies

In partnership with Framer Framed, Amsterdam (long term partner), Law Development & Conflict Research Group, Ecological Futurisms, CREAM, Ambika P3, University of Westminster, Creative Scotland, Irish Museum of Modern Art (IMMA) and Create Ireland
With special thanks to Mondriaan Fund and Jessica Sweidan

Curated and produced by: Lucia Pietroiusti, Daisy Gould, Isobel Peyton-Jones, Steve Wald, with Eva Speight

Research Assistants: Daniel Voskoboynik and Muhammed Ahmedullah

Coordinator and producer, Studio Jonas Staal: Nadine Gouders

Architect: Paul Kuipers

Graphic design: Remco van Bladel

Photo and video documentation: Ruben Hamelink

Construction, Studio KunstWerk: Michael Klinkenberg and Niklas van Woerden

An Ecological Futurisms initiative at CREAM, Centre for Research and Education in Arts and Media, University of Westminster. Led by Neal White, Matthias Kispert, Roshini Kempadoo

Venue managers, Ambika P3: Niall Carter and Eleftherios Dimoulias

The inaugural edition of CICC (Amsterdam, 2021) was commissioned by Framer Framed, Amsterdam.

The CICC - The Law on Trial (Seoul, 2022) was produced by Drifting Curriculum and Arts Council Korea (ARKO) and co-produced by Framer Framed, Amsterdam.

The CICC - Extinction Wars (Gwangju, 2023) was co-commissioned by the Gwangju Biennale Pavilion Project and Framer Framed, Amsterdam, hosted by Gwangju Museum of Art in partnership with Arts Council Korea (ARKO), the Ministry of Education, Culture and Science (Netherlands), Amsterdam Fund for the Arts (AfK), the Embassy of the Kingdom of the Netherlands in Korea, and the Mondriaan Fund.

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