BA (Hons) Fashion Photography

Duration

3 years / 4 years with placement year*

Institution code

L28

UCAS Code

3 years W6W2 / 4 years W6W3

Two separate cut-out photographs of models in the foreground, one wears a pink sequin dress and white angel wings, the other wears a patterned sequin dress with their hands wrapped around their shoulders and waist. In the background is a web browser window, the text in the search field reads: Digital Eden.
Two separate cut-out photographs of models in the foreground, one wears a pink sequin dress and white angel wings, the other wears a patterned sequin dress with their hands wrapped around their shoulders and waist. In the background is a web browser window, the text in the search field reads: Digital Eden.

Ilona Bensley

A collage of two images side by side. The first is a small square photo featuring a man with a star-shaped cardboard headpiece against a wall. The image has a blue watercolour overlay. The second image is a black and white photograph showing the man in a full-length wearing a white gown and the star headpiece.
A collage of two images side by side. The first is a small square photo featuring a man with a star-shaped cardboard headpiece against a wall. The image has a blue watercolour overlay. The second image is a black and white photograph showing the man in a full-length wearing a white gown and the star headpiece.

Hattie Dodd

Two photos side by side. The first photo is black and white and features a young model with braids leaning into someone’s arm. The arm is across her body and rests on her shoulder, this person’s face is out of shot. The second is a close-up colour photo of a models face, wearing little to no make-up.
Two photos side by side. The first photo is black and white and features a young model with braids leaning into someone’s arm. The arm is across her body and rests on her shoulder, this person’s face is out of shot. The second is a close-up colour photo of a models face, wearing little to no make-up.

Lizzie Lenthall

Two photos side by side. The first features a model wearing fishnet sleeves over their arms, which are resting on their head, and a belt across their chest. The background is green, but the model is lit in orange. The second photo has an orange hue and is of a model in a black dress, holding the skirt out with both hands.
Two photos side by side. The first features a model wearing fishnet sleeves over their arms, which are resting on their head, and a belt across their chest. The background is green, but the model is lit in orange. The second photo has an orange hue and is of a model in a black dress, holding the skirt out with both hands.

Kiera Mangham

Two black and white photos side by side. The first shows a model’s head, arm and shoulder protruding from a black paper backdrop with scissor illustrations on it. The second shows a model in a scissor-patterned jumpsuit, holding three pairs of scissors in each hand. Their black shoes line up with black lines on the floor, as if a continuation of the shoes.
Two black and white photos side by side. The first shows a model’s head, arm and shoulder protruding from a black paper backdrop with scissor illustrations on it. The second shows a model in a scissor-patterned jumpsuit, holding three pairs of scissors in each hand. Their black shoes line up with black lines on the floor, as if a continuation of the shoes.

Kieran Martyn

Two photos side by side. The first shows a model in a brown and tan leather jacket, with a handful of hair extensions and a shield-like object under their arm. The second features the same model in a red floral dress with orange shoes that line up with orange line on the floor, as if a continuation of the shoes.
Two photos side by side. The first shows a model in a brown and tan leather jacket, with a handful of hair extensions and a shield-like object under their arm. The second features the same model in a red floral dress with orange shoes that line up with orange line on the floor, as if a continuation of the shoes.

Kieran Martyn

Two photos side by side. The first shows a model obscured behind a mustard velvet curtain with part of their leg and a green checked garment visible. The second features a model in a black-and-white polka dot dress and bright red tights, sitting on a chest of drawers with their feet on a bed, their face turned away.
Two photos side by side. The first shows a model obscured behind a mustard velvet curtain with part of their leg and a green checked garment visible. The second features a model in a black-and-white polka dot dress and bright red tights, sitting on a chest of drawers with their feet on a bed, their face turned away.

Eli McCarthy-Wright

Two photos side by side. The first photo is black and white and shows a model wearing a large furry coat and hat. The second featured a model in a blue and purple jacket with their hood up. Both images are dark is contrast and saturation.
Two photos side by side. The first photo is black and white and shows a model wearing a large furry coat and hat. The second featured a model in a blue and purple jacket with their hood up. Both images are dark is contrast and saturation.

Em Obeng

Two photos side by side on a white background. The first shows a model in sunglasses, a white crop top, shorts and a cap, posing against a red velvet curtain backdrop. The second features a model sitting in the same setting, wearing a cap, braids, a long-sleeved top, shorts and stiletto boots.
Two photos side by side on a white background. The first shows a model in sunglasses, a white crop top, shorts and a cap, posing against a red velvet curtain backdrop. The second features a model sitting in the same setting, wearing a cap, braids, a long-sleeved top, shorts and stiletto boots.

Em Obeng

Two photos side by side. The first is of a model’s head and shoulders, they’re wearing big ruby earrings and a white blouse. The second shows the same model standing in a black dress with large sequins, posing with two shells.
Two photos side by side. The first is of a model’s head and shoulders, they’re wearing big ruby earrings and a white blouse. The second shows the same model standing in a black dress with large sequins, posing with two shells.

Joshua Porter

A photograph of a model with auburn hair wearing a big blue checked dress with puffed sleeves and drop earrings. The model is eating an ice cream in front of a cafe with piled up red chairs.
A photograph of a model with auburn hair wearing a big blue checked dress with puffed sleeves and drop earrings. The model is eating an ice cream in front of a cafe with piled up red chairs.

Joshua Porter

A photograph of a model with two long braids lying on a zebra crossing in a pink dress with a large fried egg pattern on it. The legs of another model are visible, they are wearing red trousers and black boots.
A photograph of a model with two long braids lying on a zebra crossing in a pink dress with a large fried egg pattern on it. The legs of another model are visible, they are wearing red trousers and black boots.

Aneela Siddiqui

Two photos side by side. The first shows a model on stilts wearing a pink wig and all black outfit, against a white brick wall. The second shows a model against a pastel yellow wall, wearing striped tights, yellow shirt, and a colourful dress with a Ferris wheel and pier scene print.
Two photos side by side. The first shows a model on stilts wearing a pink wig and all black outfit, against a white brick wall. The second shows a model against a pastel yellow wall, wearing striped tights, yellow shirt, and a colourful dress with a Ferris wheel and pier scene print.

Aneela Siddiqui

Two photos side by side. The first is a close-up of a model with dark hair and cornrows, wearing a striped rugby-style shirt, with a Persian rug behind them. The second shows a wider shot of the same model leaning on a chair, wearing an oversized shirt and jeans, standing on a Persian rug, with another rug behind them taped to the wall at each corner.
Two photos side by side. The first is a close-up of a model with dark hair and cornrows, wearing a striped rugby-style shirt, with a Persian rug behind them. The second shows a wider shot of the same model leaning on a chair, wearing an oversized shirt and jeans, standing on a Persian rug, with another rug behind them taped to the wall at each corner.

Ella Vawer

Two photos side by side of models in their 70’s. The first model is wearing a bright pink vest, pink trousers and neon pink and purple furry boots in a living room setting. The second shows a model wearing a denim mini dress in a bedroom setting.
Two photos side by side of models in their 70’s. The first model is wearing a bright pink vest, pink trousers and neon pink and purple furry boots in a living room setting. The second shows a model wearing a denim mini dress in a bedroom setting.

Ruby Willingham

The Course

This course will provide the opportunities to engage with diverse and innovative approaches to fashion image-making . You will develop your knowledge and understanding while cultivating an experimental approach to produce striking photography and film.

Our vibrant and inclusive learning environment promotes the exchange of ideas and freedom of expression through photography and moving image. We offer hands-on experience in the form of live briefs, publishing, and exhibition opportunities, educational trips, and commissions. Collaborating is greatly encouraged and students have worked with brands such as Mary Benson and Community Clothing.

Your programme of study is informed by current and emerging industry developments. You will work with highly skilled practitioners and specialist tutors who are also experienced photographers. Responding to exciting project briefs generated by commercial brands, designers, or publications, you will push your creativity and professionalism, and benefit from real-life learning opportunities.

The course integrates creative, practical projects with analysis of historical, cultural, and social frameworks within fashion image-making. We want our students to embrace an experimental approach and question approaches to practice. You may work in the studios with high-tech cameras and lighting or loan kit for exciting location work.

We invite internationally renowned speakers to give industry insight and offer opportunities to engage with external practitioners. In the past, students have visited Paris, Milan and New York, plus day trips within the UK. Educational trips and experiences can take a variety of formats, including physical and virtual activities.

*The placement year is subject to approval.

The Structure

Develop your creative potential through a range of briefs and tasks that integrate technical skills with experimental ideas. You will be introduced to fashion image-making methods and gain an understanding of the roles of extended creative teams. Learn about lighting techniques and work in a range of locations. An introduction to both the ‘still’ and ‘moving’ image as used across various platforms will be explored to raise awareness of the importance of context for image production.

Course Facilities

BA (Hons) Fashion Photography students will use dedicated lighting studios and have access to a wide range of professional camera and lighting equipment for studio and location work. Digital print resources enable professional-standard, large-format digital printing and print finishing. We have large format (up to A0) printers which are capable of printing over a metre wide, and negative scanners allow professional quality film scanning at both large format, medium format and 35mm.

Computer suites house networks of Apple Mac computers featuring regularly updated, industry-standard software for a wide range of creative applications that support all our courses including: image creation, scanning, editing and manipulation; and 3D scanning and 3D printing. All our suites use equipment consistent with that used in the creative workplace. A purpose-built specialist library is open to all students and includes Digital Collections to enhance the learning experience, and special collections of artists’ books, photobooks and illustrated books as well as the University archive. Self service facilities are available throughout, supported by a dedicated and experienced team of library staff.

BA (Hons) Fashion Photography

Virtual Tour

Video showcase

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Study Abroad

Studying abroad can help Leeds Arts University students gain valuable experience, broaden their horizons, develop international networks and experience their practice from a different perspective. Leeds Arts University has a global network of international partner universities in 15 different countries. Students can apply for a semester abroad in their second year of study.

Accolades

Student successes include student work published by Vogue Italia, Vogue Arabia, The Telegraph Magazine, Boys by Girls Magazine, L’Officiel Magazine, The Face, Elephant Magazine, Contributor Magazine, Mob Journal and Malvie Magazine. Recent alumni have been published in Gay Times, iD Magazine, and won commissions from English Heritage/Photoworks, have had work published in The British Journal of Photography, and have been shortlisted for Graduate Fashion Week Awards.

Career Opportunities

Graduates can find work as freelance fashion photographers, fashion filmmakers, production assistants, content creators, producers, art directors, stylists, picture editors, for agencies and in post-production. Graduates may also progress to postgraduate study.

Student Stories

Academic Staff

1

/4

Dr Sarah Eyre

BA (Hons) Fashion Photography - Course Leader

2

/4

Lucie Armstrong

BA (Hons) Fashion Photography - Senior Lecturer

3

/4

Xanthe Ellis

BA (Hons) Fashion Photography - Lecturer

4

/4

Freya Kruczenyk

BA (Hons) Fashion Photography and MA Photography - Senior Lecturer

*Please note that our courses are subject to an annual review process in order to maintain their quality and enhance the student experience. As a result, Course Specifications may be amended for the coming year.

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